How We Got Here: Analog Photoshop

There is nothing about flash in this post, except for "pre-flashing," and that is not what you think.

Every time I adjust the exposure slider in a raw converter or tweak the tonal curve into a subtle S-shape, I think back to how we used to do some pretty insane stuff—very improbably—with film, little tweaks of light and a witches-brew of chemistry.

If you are under 40, most of this is gonna be brand new. If you are older than that and used to shoot night sports for a newspaper, see how your experience matches up... Read more »

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