Sunday, February 14, 2010

After the Light: High-Pass Post Production

Let's get one thing straight first: I am no Photoshop wizard. I learned at the paper to use it sparingly, and my goal is always to do most of my work in-camera.

But a lot of people have asked about some of my post techniques, so I wanted to share one of my favorites. It's quick, easy and adds a cool, controllable look to your photos. And it mixes especially well with photos that have been lit. Read more »

Thursday, February 11, 2010

Finnishing Touches

UPDATE: Sweet! Click thru to the full post w/comments, where Anssi Saviluoto has detailed how he shot the video with a POINT AND SHOOT and did the post production for the cool effects. Awesome -- thanks, Anssi!
__________



Meetups are lots of fun, and one of the best ways to meet other local Strobist readers and lighting enthusiasts. Get that many creative people into a room, and a video is likely to happen, too.

A boy and his guns, cool (legal) music and some bad-ass post make the video embeded above stand out from the pack. It's from the Lappeenranta (Finland) Strobist Meetup Group.

Heck, I'm ready to pack my bags and head to Finland for the next one -- if only because they probably have less snow than we do right now. Looks like they are having lots of fun, and I am seriously digging that post work.

Oh, and the soundtrack could hardly be more appropriate: "Plastic & Flashing Lights," by the band, Professor Kliq. You can download it here.
__________

Want to find -- or start -- a local meetup? Hit the drop-down menu on the sidebar for more info. (RSS/email readers will have to click thru to the main site for drop-down menus.)

Tuesday, February 9, 2010

Q&A: Why Not Speedlights?

Garrett Hamilton asks the following question in the comments of the On Assignment Trip Jennings post:
__________

"I'm still a 'small guy' in terms of my lighting gear bag, and just was wondering how this would have turned out with smaller strobes. Do you think you could have gotten the same results?

Because, honestly, some of my work is just like this. And I'm trying to decide when enough is enough for my small SB's."


Garrett, hit the jump for some specific-to-this-shoot thoughts on small lights vs big. Read more »

The Snow Must Go On

SECOND UPDATE: Due to many snow cancellations, the show has been extended until March 14th.
__________

FIRST UPDATE: Yet another 4-8" forecast for Sunday-Monday. I give up. Uncle.

__________

For those of you who were planning on joining me for the Wednesday night showing of The Glass Menagerie (for which I did the projection photos,) the show has been canceled. Kinda bummed, but whaddya gonna do?

If you are local, the reason is quite obvious: We received 33" of snow over the weekend. A second shot of up to 20" up to 30" is falling as we speak. Yeesh.

Above is the view from my front door the first evening after the snow stopped. Well, the first half of it, anyway. After that first historic dump, we are referring to the next 20" as a dusting.

(More pix here.)

-30-

Sunday, February 7, 2010

On Assignment: Trip Jennings


A couple of months ago I got to photograph adventure kayaker Trip Jennings for Canoe & Kayak Magazine.

Given we were fresh out of 80-foot waterfalls for him to navigate in Howard County, we instead chose the shore of relatively somnambulistic Centennial Lake at sunset… Read more »

Wednesday, February 3, 2010

Behind the Scenes on Sunshine


American Cinematographer has a wonderful piece online about both the theory and the execution of the lighting in Sunshine. It's a SciFi movie, about the death of the sun and a mission to jumpstart it with a nuclear bomb.

There's a lot of technical stuff, which I of course love. But the most interesting thing to me was psychological. They added impact to the eventual sun close-ups by starving the set of any warm colors whatsoever during the earlier sequences.

There was a lot of green screen, obviously. As such, they had to create dynamic light proxies for the sun, so the actors could react to it. Think about it -- a swirling, dynamic sun would create moving light which would be visible on the people in the frame. I loved their solution.

Way cool stuff. Well, figuratively, anyway.

Story link:

:: American Cinematographer: Let There Be Light ::
__________

Thanks to Levy Carneiro for the tip via Twitter.

-30-

Monday, February 1, 2010

On Assignment: The Glass Menagerie


Since 1983, when I started stringing assignments for the Leesburg (FL) Commercial, I have always gravitated toward community journalism. I just find it intimate and rewarding to work within a tight geographic area and get to know the people who live all around you.

In the 27 years since, I have obviously gotten the chance to shoot in many interesting and exotic places in the years that followed. But I always gravitate back towards shooting locally -- especially where self-directed photographic projects are concerned.

Last year, I photographed Michael Stebbins, who is the creative and artistic director for The Rep Stage, a local theatrical company. The Rep is very highly thought of in our neck of the woods, and they produce an interesting and high-quality mix of plays every season.

After the shoot, I told him to keep me in mind should anything interesting ever come along, and that I would love to contribute. Last fall, he called me back with an opportunity that at once both piqued my interest and scared the crap out of me: To shoot the images that would be projected up on stage during a production of Tennessee Williams' American classic, The Glass Menagerie. Read more »

Share

Twitter Delicious Facebook Digg Stumbleupon Favorites More